1.184 file audio bebas royalti untuk "Multi Chord"

Audio files of spanish guitar chords

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

45:54:64 = F#+, A+, C = C, Eb, Gb-

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

5:6:7 = E, G, B7b = C, Eb, G7b.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

The chord of A major played on an acoustic guitar. El acorde de A major toca en una guitarra acoustica.

Just Intonation Major Chord (4:5:6)

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

So What chord.

Augmented triad on D.

Beethoven Appassionata 3 final bars of Andante

Chopin Waltz in D flat, Op. 64, No. 1

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.

The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.

The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

♭III+ chord in just intonation. Pitch bend matches intervals.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Major chord on C in 17 equal temperament (0,6,10).

Barbershop bell chord. Pitch bend matches just intervals.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

Werckmeister temperament major chord on C.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ives quarter tone fundamental chord.

Pythagorean major chord on C.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Just minor chord on C: 10:12:15.